In 1955, John Parker’s experimental feature didn’t find its deserved audience. Today, we present it as an essential work of horror cinema existing in the canon beyond the classics.
If EVIL season one was a meditation on the nature of evil, season two is a deep dive into its power to corrupt.
Turns out making a splatter film in the dead of winter is a horrorshow in its own right.
“What’s in the basket? Easter eggs?”
Think you’re brave enough?
Including a newly discovered and restored offering from George A. Romero!
Nothing can replace the power of seeing fear on the big screen.
There’s a genre “blender” joke in there somewhere.
Jumping vampires, man-flesh dumplings, and Bruce Lee clones, oh my!