The Covid Comedy ‘Stop and Go’ is Just Two Filmmakers Guessing

By  Brad Gullickson 

We chat with filmmakers Whitney Call and Mallory Everton about why they’re waiting for the audience to tell them whether they should have made their film or not.

Seeking Imperfection for ‘Y: The Last Man’

By  Brad Gullickson 

We talk with cinematographer Kira Kelly about her intense comic book fandom and why embracing a messy frame was the right move for this adaptation.

‘What If…?’ Pushed Marvel’s Design Team Into Its Most Daring Arena

By  Brad Gullickson 

We chat with Ryan Meinerding, the Creative Director of Visual Development at Marvel Studios, about knowing when to ditch legacy for story.

The Invisible Performers Who Craft ‘Ted Lasso’

By  Brad Gullickson 

We chat with editors A.J. Catoline and Melissa McCoy and casting director Theo Park about the myriad of unseen choices they make that help shape the vibe of the series.

Tracey Scott Wilson Explains How ‘Respect’ Became Her Mission

By  Brad Gullickson 

Constructing an Aretha Franklin biopic around “Respect” seems obvious, but weaving its theme into every frame requires strategy.

Producer Hiram Garcia Explains Why You Don’t Say No to ‘Jungle Cruise’

By  Brad Gullickson 

We chat with the blockbuster producer about the lifetime of movie watching that finally put him and Dwayne Johnson in a room with Disney executives.

What Makes a Loki?

By  Brad Gullickson 

We chat with Costume Designer Christine Wada and Production Designer Kasra Farahani about the fashion and design that fabricate the many Lokis.

Edgar Wright and Sparks are Here to Sell Records and Spread Love

By  Brad Gullickson 

We chat with Wright along with Ron Mael and Russell Mael of Sparks about collaborating and poking fun at themselves while remaining deadly serious.

The Last-Minute VFX That Made Anthony Mackie Captain America

By  Brad Gullickson 

We chat with ‘The Falcon and the Winter Soldier’ VFX Supervisor Eric Leven about the many refinements that go into a Marvel series.