DP Russell Carpenter on the Virtual Reality of ‘Avatar: The Way of Water’

By  Brad Gullickson 

We chat with the cinematographer about the challenges of simultaneously shooting live-action and virtual.

200 Hours Makes One Garment in ‘Avatar: The Way of Water’

By  Brad Gullickson 

We chat with costume designer Deborah L. Scott about ‘Avatar: The Way of Water’ and how virtual fittings differ from practical ones.

Ben Davis and the ‘High Noon’ Cinematography of ‘The Banshees of Inisherin’

By  Brad Gullickson 

We chat with the cinematographer about the Westerns that influenced Martin McDonagh’s psychological slugfest.

Carter Burwell Brought a Fairy Tale Sound to ‘The Banshees of Inisherin’

By  Brad Gullickson 

We chat with the composer about the challenges director Martin McDonagh initiated and how they arrived at a whimsical sound to counter the film’s dark mood.

Cinematographer K.K. Senthil Kumar Made Rambos Out of His Actors in ‘RRR’

By  Brad Gullickson 

We chat with the cinematographer about striking the right balance between fairy tale action and historically accurate drama.

Chris Brewster Read a lot of Comics to Design the ‘Black Adam’ Fights

By  Brad Gullickson 

We chatted with the fight coordinator about the many comics and cartoons he devoured to bring authenticity to the ‘Black Adam’ fights.

How Ellen Arden Created the MCU’s Bloodiest Moments in ‘Werewolf by Night’

By  Brad Gullickson 

We chat with the ‘Werewolf by Night’ makeup department head about splashing buckets of blood upon a Disney+ production.

MCU Concept Artist Andy Park Explains Why the Comics Remain King

By  Brad Gullickson 

We chat with Marvel’s Director of Visual Development about when to adhere to and veer from the comic book source material.

How the 4K Restoration Returns the Humanity to ‘Star Trek: The Motion Picture’

By  Brad Gullickson 

We chat with restoration producer David C. Fein about assembling Robert Wise’s Director’s Cut in 4K Ultra HD with Dolby Vision. My god, it’s full of stars.