Filmmaker.
By Meg Shields
All we’re saying is that if you come back from the dead, it’s very important to shout “the prestige!”
By Meg Shields
High contrast lighting and over-the-shoulder shots? Must be an interrogation scene.
By Meg Shields
Because no one is a bigger film dork than filmmakers.
By Meg Shields
For a director as dedicated to visuals as Christopher Nolan is, you’d think he’d be a little more into “show don’t tell.”
By Meg Shields
One of Christopher Nolan’s trademark techniques is the crosscut. Here’s a look at why, via ‘The Dark Knight,’ ‘Inception,’ and ‘Interstellar.’
By Meg Shields
Here’s a video essay about why Christopher Nolan’s ‘Inception’ still has us dreaming big, ten years later.