The Ending of ‘Saint Maud’ Explained
In Rose Glass's breakout feature, God is not what He seems.
Aurora Amidon(Contributor)
The Ending of ‘I Care a Lot’ Explained
In J Blakeson's crime film, Rosamund Pike plays a woman who won't rest until ultimate success has been achieved.
9 Movies to Watch if You Like ‘To All the Boys: Always and Forever’
From 'Say Anything...' to 'Little Women,' these movies play a part in making the teen rom-com sequel so enjoyable.
Grief on Trial in ‘Pieces of a Woman’
In Kornél Mundruczó's English-language debut for Netflix, a grieving mother bears her loss for the world to see.
The Ending and Post-Credits Sequence of ‘Wonder Woman 1984’ Explained
In this DC superhero sequel, love conquers all.
The Cathartic Power of ‘Sense and Sensibility’
For its 25th anniversary, we look at how Ang Lee and Emma Thompson's adaptation of Jane Austen's classic novel subverts expectations of female heroines.
Landscape as Metaphor in ‘Brokeback Mountain’
Ang Lee shoots his subjects predominantly in long lenses to convey a sense of inescapable loneliness.
‘Zodiac’ and Setting the Scene for a Serial Killer
In the first scene of 'Zodiac,' David Fincher makes it clear that catching a killer is no easy feat.
Fritz Lang’s ‘M’ and the Aesthetics of Justice
With this prototypical film noir, Fritz Lang crafts a universe in which telling the difference between good and evil is no easy feat.
‘Brighton Rock’ and the Iconography of Film Noir
John Boulting's sinister adaptation examines the religious undertones of the film noir genre.
