Here's what the ninth installment of the 'Crayon Shin-chan' series can teach us about the pitfalls and limitations of nostalgia.
The director long preoccupied with coming of age narratives now turns her full attention to the problems that come with adulthood.
When Bond makes a shot, he doesn't miss.
William Castle was one of Hollywood's greatest showmen and most influential filmmakers.
Resurrected by stuntwoman Patricia Tallman, Barbara gained three dimensions in the 1990 zombie movie.
Jack Lord finds a mystery he can't solve in sixty minutes.
Willem Dafoe is in his element in cult director Abel Ferrara's nightmarish, experimental journey into the subconscious.
While the ending of 'The Matrix 'seems overwhelmingly positive, Neo is in fact stuck in a cycle of control, which continues through the next two films.
Our latest 31 Days of Horror Lists kicks down the door of cinema's best old dark houses.
'Star Trek: Discovery' season three puts the dreams of the Federation on the individual, reminding the viewer that it's on them to make a future worthy of the franchise.
'She-Ra and the Princesses of Power' provides a beacon for developing souls to follow. Every day is an opportunity for change.
Here's how 'Stranger Things' conveys its genre-blend in its pitch deck, in the script, and on the screen.
The profound, emotionally devastating series closed out its second season with an all-time-great hour of television.
Historical, not like 'Carrie.'
Long live the New Flesh and pucker up! Here's a breakdown of what went into the "breathing television effect" in 'Videodrome.'
"An ancient Indian WHAT?" - Homer SImpson