Noah Segan Explains Why It’s Necessary to Wink at Your Audience

By Brad Gullickson 

We chat with Noah Segan and Victoria Moroles about ‘Blood Relatives,’ their new vampire dramedy that stares directly down the camera barrel.

The New ‘Willow’ Series Is A Super-Fun Fantasy Throwback

By Valerie Ettenhofer 

Warwick Davis returns alongside a charming young cast in the fun Disney+ sequel to Ron Howard’s 1988 fantasy film.

Celebrating The Cinematography of Adam Newport-Berra

By Meg Shields 

From ‘Euphoria’ and ‘The Bear’ to Adele music videos and beyond!

23 Things We Learned from Albert Pyun’s ‘The Sword and the Sorcerer’ Commentary

By Rob Hunter 

“I was an inch away from being fired every day.”

‘The Guardians of the Galaxy Holiday Special’ Features a Mind-Melting Cameo

By Brad Gullickson 

And you thought the Sony/Marvel Spider-Man deal was a miracle?

Why the End Credits Scene in ‘Andor’ is an Essential Moment

By Brad Gullickson 

That’s no moon. It’s an End Credits Scene!

Rules of the Game: How Martin McDonagh Satirizes Masculinity

By Meg Shields 

Violence, Shame, Victimization. Repeat.

What Nope’s Sound Design Can Teach Us About Terror vs. Horror

By Meg Shields 

/Please/ tell me that was just the wind.

The Heartfelt Long Con of ‘Better Call Saul’

By Valerie Ettenhofer 

The story of a sleazy lawyer’s descent into amorality pulled off one of the most meaningful series finales in recent history by becoming the one thing none of us dared hope for: a redemption story.

What We Can Learn From the English Code Switching in ‘Parasite’

By Meg Shields 

Respect!

‘Strange World’ Explores the Familiar By Way of the Unknown

By Rob Hunter 

Fathers and sons are a steady source of both conflict and redemption, no matter what world you’re on.

How Does the Cast of ‘The Addams Family’ Compare to the Original New Yorker Cartoons?

By Jacob Trussell 

Charles Addams’ famous family have been pop culture icons for over 80 years, but just how similar were his original cartoons to the star-studded cast of Barry Sonnenfeld’s big screen adaptations?