The Latest: Page 2

Everything that's new, just for you.

All Dirt Roads Taste Of Salt

Raven Jackson’s ‘All Dirt Roads Taste of Salt’ is a Sublime, Poetic Debut

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Raven Jackson’s debut is an intimate work of stunning detail and artistic harmony.

Fair Play

‘Fair Play’ Offers a Scathing Takedown of the Aggressively Insecure

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Some are calling it an erotic thriller, but whatever the label, ‘Fair Play’ is a sexy, angry, and suspenseful look at insecurity and doubt.

Infinity Pool

‘Infinity Pool’ is a Visual Feast That Ultimately Runs Shallow

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Mia Goth mesmerizes once again in the latest film from Brandon Cronenberg.

Fancy Dance

Lily Gladstone Shines in the Sadly Necessary ‘Fancy Dance’

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A touching and soulful film about those left behind when an indigenous woman goes missing.

Avatar The Way Of Water

DP Russell Carpenter on the Virtual Reality of ‘Avatar: The Way of Water’

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We chat with the cinematographer about the challenges of simultaneously shooting live-action and virtual.

Poker Face Review

Natasha Lyonne is A 21st-Century Columbo in Rian Johnson’s Brilliant ‘Poker Face’

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Lyonne teams up with the Knives Out filmmaker for Peacock’s new murder mystery series, and the result is some flat-out fantastic procedural television.

Decision To Leave

How “Decision to Leave” Weaponizes Misdirection

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Every director gets to make a Hitchcock.

The Deepest Breath

‘The Deepest Breath’ Manages to Escape the Shallows

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Some sports are more about transcendence than splashy thrills.

Talk To Me

‘Talk to Me’ Unleashes a Brutal Slice of Possession Horror

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Might just make even the skeptics think twice about playing around with the supernatural.

Sometimes I Think About Dying

‘Sometimes I Think About Dying’ Is a Warmly Observant Film on Loneliness

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Daisy Ridley shines in a drab seaside town.

Heaven's Gate Dead Guy

The Day New Hollywood Died

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New Hollywood is dead, long live New Hollywood.

Deborah L Scott Avatar The Way Of Water Costume Design

200 Hours Makes One Garment in ‘Avatar: The Way of Water’

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We chat with costume designer Deborah L. Scott about ‘Avatar: The Way of Water’ and how virtual fittings differ from practical ones.