Comedy

Real Hauntings and Rubber Fingers: How They Made ‘Deadstream’

By  Meg Shields 

“I felt so privileged to be touching that sweet corpse head.”

‘Triangle of Sadness’ Desperately Wants What ‘Parasite’ Has

By  Meg Shields 

It’s always fun when a film with THIS much projectile vomit wins the Palme.

‘Weird’ Rides or Dies on Letting Daniel Radcliffe Be a Little Freak

By  Meg Shields 

I mean… how are we supposed to take Weird Al Yankovic SERIOUSLY after this?

‘Funny Pages’ Offers a Hilariously Refreshing Take on the Young Aspiring Artist

By  Will DiGravio 

Writer-director Owen Kline reveals the chaotic passions of an aspiring cartoonist.

Where Have All the Studio Comedies Gone?

By  Meg Shields 

(To “Vista Del Mar,” it turns out.)

The Warm Absurdity of Old vs. New in Jacques Tati’s ‘Mon Oncle’

By  Meg Shields 

Reject modernity, embrace slapstick comedy.

What Makes ‘Ghost World’ Such a Successful Comic Book Adaptation

By  Meg Shields 

“Well, I have to admit that things are really starting to look up for me since my life turned to shit.”

‘Leverage: Redemption’ is a Satisfying Second Act

By  Naomi Elias 

The revival is no doubt targeting the avid fan base from the original series but it is also well-attuned to the zeitgeist.

‘Bo Burnham: Inside’ Redefines the Internet Age

By  Aurora Amidon 

At a time when everyone is doing it, Bo Burnham gets internet critique right.