Will DiGravio

Will DiGravio is a Brooklyn-based critic, researcher, and video essayist, who has been a contributor at Film School Rejects since 2018. Follow and/or unfollow him on Twitter @willdigravio.
The Assassination Of Jesse James by the Coward Robert Ford Real Story

The Real Story Behind ‘The Assassination of Jesse James by the Coward Robert Ford’

By Will DiGravio 

A look at what really happened with the characters of Andrew Dominik’s 2007 Western epic.

The Eternal Daughter Review A24

‘The Eternal Daughter’ is a Haunting Depiction of the Nature of Memory

By Will DiGravio 

Joanna Hogg and Tilda Swinton reunite in a mystery that marks one of the year’s best films.

The Inspection Review

“The Inspection” Is An Intensely Personal Boot Camp Drama

By Will DiGravio 

The promising debut narrative feature from Elegance Bratton never quite finds its narrative balance.

Stars At Noon Review

Margaret Qualley Gives a Tremendous Performance in Claire Denis’ Evocative ‘Stars at Noon’

By Will DiGravio 

This romantic thriller finds the personal in the political.

Showing Up Review

Kelly Reichardt’s ‘Showing Up’ Captures the Labor & Challenges of Creating Art

By Will DiGravio 

Michelle Williams gives one of the year’s best performances as a sculptor dealing with the struggles of daily life.

Aftersun Review

‘Aftersun’ is a Remarkable, Moving Debut Feature from Charlotte Wells

By Will DiGravio 

Paul Mescal stars as a young father trying to survive in the world with his 11-year-old daughter.

Armageddon Time

‘Armageddon Time’ is a Masterful Self-Reflection From James Gray

By Will DiGravio 

Anne Hathaway, Jeremy Strong, and Anthony Hopkins star in this semi-autobiographical film from the ‘Ad Astra’ director.

Till Movie

‘Till’ is a Monumental Work of Direction and Performance

By Will DiGravio 

Danielle Deadwyler delivers one of the best performances of the year as Mamie Till-Mobley, the mother of Emmett Till.

Saint Omer Review

‘Saint Omer’ is a Beautifully Striking and Stylized Courtroom Drama

By Will DiGravio 

Alice Diop’s debut narrative feature offers a devastating depiction of motherhood.