Topic of interest.

Everything Everywhere All At Once Digital Headset

Filmmaking 101: What a DIT Does on a Movie Set


DIT is what DIT is.

The Thing Suspense

The Elements of Suspense: How 3 Different Directors Build Tension


Oh my god, who put this bomb under my table? Hitchcock! Not again!

Everything Everywhere All At Once

How They Made ‘Everything Everywhere All At Once’ On A Budget


I guess you could say that the budget could not be “everything everywhere all at once.”

Seven Listening

Sounds Thrilling: The Sound Design of David Fincher


*keystrokes intensify*

Holy Motors Mo Cap

Why Modern-Day Motion Capture Is A Lot Harder Than it Looks


There is no “animate” button, it turns out.

Rashomon Unreliable Narrators

‘Rashomon’ and the Thematic Power of Unreliable Narrators


The Woodcutter be like: Nah, it was dumber than that.

Boogie Nights boom operator

What a Boom Operator Does On a Movie Set


Here comes the boom mic.

Rear Window and classical hollywood storytelling

The Ins and Outs of Identifying Classical Hollywood Storytelling


Think of it as an “I Spy” puzzle but for the basic principles of classical era storytelling.

X Rating

The Brief and Scandalous History of the X Rating


What was its purpose and why was it so infamous? Let’s sneak a peek, shall we?