The Queue is an oft-recurring column in which Meg Shields provides you with a distraction of curated video content sourced from across the web.
If you’re new to The Queue, start here:
By Meg Shields
Ever wondered why the director of ‘The Royal Tenenbaums,’ ‘The Darjeeling Limited,’ and ‘The French Dispatch’ flattens emotion? We’ve got a video essay for that.
By Meg Shields
Simply put, you cannot rain on Fincher’s parade.
By Meg Shields
Time to praise one of the few fully mocap animated films to clear the uncanny valley.
By Meg Shields
Because nothing says “obsession with an elusive killer” quite like the color of bile.
By Meg Shields
It’s important to balance your expectations … just like it’s important to use different focal lengths to convey different levels of intimacy.
By Meg Shields
‘Silenced’ is a very difficult film to watch. But with subject matter this pressing, it’s an important film to have on your radar.
By Meg Shields
‘The Exorcist’ was the Christmas hit that rocked Hollywood. Here’s why audiences in 1973 found the film so scary.
By Meg Shields
Here’s a look at why Wes Craven’s 1991 horror film is as relevant as ever.
