Billy Wilder’s 1951 film noir masterpiece is an unforgiving satire of the American media and its audience.
With this prototypical film noir, Fritz Lang crafts a universe in which telling the difference between good and evil is no easy feat.
What’s black and white and full of subgenres?
Gene Hackman’s Harry Moseby is a character navigating the neo-noir landscape as a different kind of man.
John Boulting’s sinister adaptation examines the religious undertones of the film noir genre.
Although a departure from typical film noir narratives, its exploration of taboo is perfectly in line with the genre’s goals.