Behind the Revisionist History of ‘Inglourious Basterds’ is a Real Story of Women in Film
The movie that just might be Quentin Tarantino's masterpiece asks us to consider the events that never were and whose stories have been lost as a result.
Anna Swanson
How ‘Once Upon A Time In Hollywood’ Honors Sharon Tate’s Life and Legacy
Quentin Tarantino's film remembers her as so much more than a victim.
It’s a Good Time to Fall in Love With Florence Pugh
All hail the 'Midsommar' star.
According to ‘Toni Erdmann,’ We’re All Losing The Humor
Maren Ade's absurd comedy is laugh-out-loud funny, deeply resonant, and increasingly necessary viewing.
‘Arsenic and Old Lace’ and the Incomparable Comedic Talents of Cary Grant
Cary Grant was a one of a kind actor and Frank Capra's bonkers dark comedy illustrates why.
‘Dark Phoenix’ Does A Disservice to ‘X-Men: First Class’
By sacrificing style for the sake of safety, the X-Men film series ends with a whimper.
Good Riddance: Let’s Talk About the ‘Seinfeld’ and ‘VEEP’ Finales
What the two shows can teach us about saying goodbye to characters who are the best at being the worst.
Double Take: ‘The House That Jack Built’
'The House That Jack Built’ is a divisive parade of depraved obscenities, and according to the Double Take duo: it rules. Here's why.
Celebrating the Life and Films of Agnès Varda
The French Left Bank icon and feminist film pioneer will be deeply missed.
How ‘Transit’ Changes Our Understanding of the Ghost Story
Christian Petzold's latest is unconventional in the best way possible.
