Editor’s note: This review originally ran during Cannes 2012, but we’re re-running it as the film’s limited theatrical release begins this weekend. Those expecting Matteo Garrone…
Editor’s note: On the Road cruises into limited release this Friday, so put your brains into gear and enjoy this re-run of our Cannes review,…
Editor’s note: With This Must Be the Place now officially released in theaters, here is a re-run of our Cannes review, originally published on May…
Editor’s Note: This review originally ran as part of our Cannes 2012 coverage. Cosmopolis hits theaters this weekend, August 17th. Though it is faintly vulgar to…
Welcome to Foreign Objects, a series of articles originally published in the early 2010s that spotlighted foreign films. In this entry, Rob Hunter hitches a…
If you find the holidays to not be wrenching and desperate enough, Sony Pictures Classics has just announced that they will release their recently acquired…
Last year’s Cannes Film Festival featured this year’s Oscar winning Best Actor performance thanks to the inclusion of the wonderful The Artist in competition, and…
Why Watch? Seeing Rubber was a highlight of 2010. Quentin Dupieux proved his fierce, uncompromising imagination and a flare for nihilism which made the strange…
The question is, do you open the sack? Simon’s review from Cannes praises the positive brand of bat-shit insanity that Leos Carax’s latest flick, Holy Motors,…