Cannes

Nicole Kidman’s comments are a timely reminder that there’s still a long way to go in terms of representation in film.

Surprises were abound at the Cannes closing night celebration, but so was discomfort and confusion.

For the versatile filmmaker whose credits range from A Little Princess to Children of Men, movies are like ex-wives.

Noah Baumbach’s strongest film in a decade features Adam Sandler’s greatest performance to date.

Claire Denis teams with Juliette Binoche for an uncharacteristically sunny search for romance.

While Yorgos Lanthimos’s second English language film can’t quite match The Lobster in several regards, it still paints Lanthimos as one of the most promising and distinctive auteurs working in film today.

Arnaud Desplechin offers a fun, yet forgettable film to open the 70th Cannes Film Festival.

Bong Joon-ho teams with Netflix for a saccharine “monster movie.”

Wonderstruck’s shortcomings stem not from an overabundance of flaws but an absence of anything that works especially well.