Reviews
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‘Halloween Ends’ Two Films Too Late
Laurie and Michael take a back seat to a character straight out of ‘Christine,’ so that’s fun.
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‘Till’ is a Monumental Work of Direction and Performance
Danielle Deadwyler delivers one of the best performances of the year as Mamie Till-Mobley, the mother of Emmett Till.
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‘Let the Right One In’ Could’ve Just Stayed Dead
Showtime’s ten-episode series aims to recapture some of the horror and intrigue of this new classic story, but fails on most levels.
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‘Accident Man: Hitman’s Holiday’ Has Head-Popping Fun in Malta
Come for the action, stay for the killer Ben Affleck joke.
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Another Lackluster Stephen King Adaptation, ‘Mr. Harrigan’s Phone’ Rings Empty
Not a call worth answering.
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‘Righting Wrongs’ Gets the Home Video Treatment It Deserves from Vinegar Syndrome
This Hong Kong classic has never looked better.
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‘The Midnight Club’ is Heartfelt Coming-of-Age Horror With An Anthology Twist
The Haunting of Hill House creator Mike Flanagan and Bly Manor writer-producer Leah Fong return with another spooky saga set at a mysterious teen hospice facility.
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‘Luckiest Girl Alive’ Is a Hasty, Disappointing Adaptation of a Popular Novel
Netflix’s ‘Luckiest Girl Alive’ undermines an exceptional plot with rushed filmmaking.
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‘Hellraiser’ Opens a Bloody Box of Thrills New and Old
Hell is other people — and also addiction, love, regret, and the flaying of human flesh.