You might have to manually search for it on Netflix, but it’s worth the effort.
Swedes, watch at your own risk.
Benoit Blanc is in his ‘Mama Mia’ era, huh?
It’s always fun when a film with THIS much projectile vomit wins the Palme.
Plus worldwide Blu-ray debuts of ‘Nobody’s Fool,’ ‘The Music of Chance,’ and Ken Russell’s ‘Whore.’
I mean… how are we supposed to take Weird Al Yankovic SERIOUSLY after this?
Thus begins our “cast Anna Diop in everything campaign.”
How to separate the optimists from the pessimists: is the film half good or half bad?
As long as Spielberg is at the helm, a love letter to film isn’t cliche, it’s genius.