Who knew the end of the world could be so upbeat?
The first feature in Marvel’s Phase Four provides some connective tissue for the MCU’s Disney+ shows.
There are giants of movie title design…and then there’s Pablo Ferro.
In anticipation of the movie version, we look at the inspiration for the Broadway musical and the real impact the show has already had.
We chat with the director about why all contract killer movies begin with an eye towards Hitchcock, Kurosawa, and Leone.
What really happened to Susan and Edward in Tom Ford’s neo-noir?
It might not be about Annette, but that doesn’t hold it down.
Director Alan Taylor clears up who the main character is in the upcoming ‘Sopranos’ prequel film.
The second chapter in Netflix’s ‘Fear Street’ event sends Sadie Sink to summer camp.