The film is one of the most significant portraits of the 21st century to hit the big screen.
Another TIFF is in the bag. And you know what that means: superlatives!
Swedes, watch at your own risk.
Benoit Blanc is in his ‘Mama Mia’ era, huh?
It’s always fun when a film with THIS much projectile vomit wins the Palme.
I mean… how are we supposed to take Weird Al Yankovic SERIOUSLY after this?
Thus begins our “cast Anna Diop in everything campaign.”
How to separate the optimists from the pessimists: is the film half good or half bad?
As long as Spielberg is at the helm, a love letter to film isn’t cliche, it’s genius.