NYFF

Céline Sciamma’s follow-up to ‘Portrait of a Lady on Fire’ leaves something to be desired. But the experience is still lovely.

Split screen entertainment is back and sadder than ever.

Move over, Branagh!

Michelle Pfeiffer’s captivating performance can’t overcome the faults of this bougie comedy.

Too much time with talking heads makes for a static, unbalanced examination of Chinese society over the past 80 years.

Tsai Ming-liang and Lee Kang-sheng create a tender, cavernous narrative that affirms the monotony and beauty of being and the exhaustion that stems from that dichotomy.

Steve McQueen revitalizes what we all miss about house parties and depicts an experience unique to the vibrant West Indian community in London circa 1980.

We went to Venice, Toronto, New York, and Austin and saw numerous wonderful films — these are the 25 best.

The fall festival circuit may be over… but awards season is just beginning.