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NYFF: ‘Holy Motors’ Dares the Audience to Figure it Out
By
Daniel Walber
NYFF: ‘The Last Time I Saw Macao’ Skillfully Blends Documentary And Fiction
By
Caitlin Hughes
NYFF: Three Eccentric Shorts in Celebration of Art and Artists
By
Daniel Walber
NYFF: ‘The Dead Man And Being Happy’ Wavers in Tone But Succeeds in Taking Filmic Risks
By
Caitlin Hughes
NYFF: ‘Lines of Wellington’ Tries For Epic Status But Spreads Itself Way Too Thin
By
Caitlin Hughes
NYFF: ‘Lincoln’ Builds an American Icon Through Outstanding Performances
By
Daniel Walber
NYFF: ‘Something in the Air’ is an Accurate Portrayal of 1970s Youth Revolution But Could Have Gone…
By
Caitlin Hughes
NYFF: Haneke’s ‘Amour’ Is a Brilliant, Unflinching Portrait of an Elderly Couple and the Ravages of…
By
Caitlin Hughes
NYFF: Four Graceful Shorts with an Eye on Solitude
By
Daniel Walber
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