Mike Leigh’s new film is a sincere, belated elegy that successfully brings into the light a dark chapter of British history.
Far from being a gimmick, the colorization of First World War footage in Peter Jackson’s new documentary restores that moment in history to its proper rawness.
The ‘Oldboy’ director is a surprising choice to direct the latest John le Carré adaptation, but we think it works.
Surprise. Australia is still the world’s most dangerous place.
Ben Wheatley’s holiday drama is almost nothing like his previous work.
Guillermo Amoedo’s new film reminds us possession films can still have something new to say.
Beautiful Boy feels like a horror movie primarily directed at the parents in its audience.
We get snuggly as Jonah Hill wraps a warm blanket around his childhood.
Chad Archibald’s latest is a horror film with heart.