Ben Wheatley's holiday drama is almost nothing like his previous work.
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Author: Farah Cheded
Beautiful Boy feels like a horror movie primarily directed at the parents in its audience.
With a thread of the divine woven into its realist tapestry, Happy as Lazzaro feels like a timeless fable.
The 'Ida' director's latest recalls the glamor of a cinema long gone and much mourned.
Metaphors about the plight of the Rohingya are made hauntingly literal in this elliptical issue film from Thailand.
'Sharp Objects' hides all its secrets in the credits.
Just like the transcendental movies Paul Schrader first wrote about 46 years ago, 'First Reformed' is shot in a restrained manner designed to open up space for the spiritual.
With a remake out next year, the time is ripe to revisit this gothic kids' classic.
Cinematography is a character in Contagion, and an acutely germaphobic one at that.
From the sparkling waters of The Graduate to Poltergeist's oozing vat of corpses, these picks illustrate the incredible versatility of the cinematic swimming pool.