Far from being a gimmick, the colorization of First World War footage in Peter Jackson's new documentary restores that moment in history to its proper rawness.
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Author: Farah Cheded
The 'Oldboy' director is a surprising choice to direct the latest John le Carré adaptation, but we think it works.
Ben Wheatley's holiday drama is almost nothing like his previous work.
Beautiful Boy feels like a horror movie primarily directed at the parents in its audience.
With a thread of the divine woven into its realist tapestry, Happy as Lazzaro feels like a timeless fable.
The 'Ida' director's latest recalls the glamor of a cinema long gone and much mourned.
Metaphors about the plight of the Rohingya are made hauntingly literal in this elliptical issue film from Thailand.
'Sharp Objects' hides all its secrets in the credits.
Just like the transcendental movies Paul Schrader first wrote about 46 years ago, 'First Reformed' is shot in a restrained manner designed to open up space for the spiritual.
With a remake out next year, the time is ripe to revisit this gothic kids' classic.