By Farah Cheded
Mike Leigh’s new film is a sincere, belated elegy that successfully brings into the light a dark chapter of British history.
Far from being a gimmick, the colorization of First World War footage in Peter Jackson’s new documentary restores that moment in history to its proper rawness.
The ‘Oldboy’ director is a surprising choice to direct the latest John le Carré adaptation, but we think it works.
Ben Wheatley’s holiday drama is almost nothing like his previous work.
Beautiful Boy feels like a horror movie primarily directed at the parents in its audience.
With a thread of the divine woven into its realist tapestry, Happy as Lazzaro feels like a timeless fable.
The ‘Ida’ director’s latest recalls the glamor of a cinema long gone and much mourned.
Metaphors about the plight of the Rohingya are made hauntingly literal in this elliptical issue film from Thailand.
The HBO series hides all its secrets in the credits.
