If there’s any outfit that celebrates the team sport aspect of filmmaking, it’s Pixar. What began as the Graphics Group at LucasFilm has evolved into…
In 2012, Landon Palmer began going through the Criterion Collection’s library and writing about the films and why they belonged in that canon of classic cinema.
Personally, I was the author of article #1. But then again, back in those days I had a one-in-four chance of being the first person…
LAFF 2012: Live Performance and Unfiltered Candor Made LAFF’s ‘Coffee Talk: Composers’ A Musical Afternoon to Remember The “Coffee Talk: Composers” panel is always a highlight…
We chat with Andy Samberg about That’s My Boy and why Hot Rod deserves a Criterion release.
Most independent filmmakers know their place in the world of cinema, and that’s comedy/dramas about uninteresting and aimless twenty-somethings. I kid. But the point is…
The romantic comedy is a genre represented most frequently by stale, generic films that follow a paint-by-numbers formula devoid of personality and charm. To be…
Books and films are two very different mediums capable of eliciting the same reactions of joy, disappointment and every emotion in between. Both are essential,…
Editor’s note: With Your Sister’s Sister beginning its limited roll-out this week, we thought it best to re-run Robert Levin’s sterling Sundance review of the…