Features
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Old Ass Movies: Throne Of Blood
Every Sunday, Film School Rejects presents a film that was made before you were born and tells you why you should like it. This week,…
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Print to Projector: The Book of Dave
As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would make great source material for…
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Culture Warrior: The Contemporary Auteur, Part 1
Last month as I sat down to watch Scorsese’s Shutter Island with the rest of the Austin-based Reject crew, Lost Club’s David Gunn and I…
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Print to Projector: On the Road
As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would make great source material for…
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Culture Warrior: The Paradoxical Importance of Film Festivals
Since our resident genius Landon Palmer is out on the town this week at South By Southwest, I am foolishly filling in to talk about…
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Print to Projector: Carter Beats the Devil
As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would make great source material for…
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Culture Warrior: Kathryn Bigelow’s Next Move
For an industry that is viewed reductively by much of middle America as being politically left-leaning to the point of being out-of-touch with the rest…
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Old Ass Oscar: Elmer Gantry
Every Sunday in February, Film School Rejects presents an Oscar Nominee for Best Picture that was made before you were born and tells you why…
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Culture Warrior: The Coens’ Uncertainty Principle
“The Uncertainty Principle: It proves we can’t ever really know what’s going on.” As illustrated by this scene in the Coens’ latest Best Picture nominee A…