Author: Anna Swanson

The name’s Bond. Blonde Bond.

Deadly malls, glowing goop, and vicious home invasions. These are the best films of Barbara Crampton’s iconic career.

Sorry Count, we’re not inviting you to this one.

We are not liable for nightmares.

Where’d that scene go? Somebody stole it! Quick! Call the cops!

Mia Hansen-Løve delivers an astonishing and personal film about the process of creating an astonishing and personal film.

Extravagant and charming, but with some bumps along the way, this is a biopic befitting its larger-than-life subject.

Antoine Fuqua’s version is thrilling but ultimately redundant.

Annoying and artless, Rob Savage’s latest screen-life film can’t even manage to use its format well.