Sometimes the scariest thing in the world is stillness. And giant metal scissors.
‘The Exorcist’ was the Christmas hit that rocked Hollywood. Here’s why audiences in 1973 found the film so scary.
The writer-director’s debut feature, ‘Saint Maud,’ is finally coming to US screens. We got on the phone with her nearly a year ago.
What an excellent day for a celebration of Mercedes McCambridge.
Nightmare fuel or experimental masterpiece? You decide.
People being thrown out of windows is one of cinema’s most entertaining tropes.
We chat with the director about following in the footsteps of a cinematic masterpiece and riding the line between exploitation and truthful terror.
Friedkin’s new documentary, The Devil and Father Amorth challenges our modern concepts of evil.