We’re already looking forward to revisiting Wakanda.
In a puzzling casting decision, actual heroes play themselves in Clint Eastwood’s dull ode to American audacity.
Saul Dibb’s latest proves an alarmingly relevant release in the centenary year of the end of the First World War.
The anthology-like franchise takes a monster-sized leap backwards.
“Aw Joe, what the fuck’s your problem?”
“We’re invading Earth. Got your attention?”
Nick Park’s latest doesn’t entirely re-invent the wheel, but it does remind us that animation can be full of ancient, rustic delights.
Not all vacations are created equal.
Bart Layton expertly explores truth claims in this work of “hybrid-fiction.”