Reviews

  • Review: Bahrani Masters Realism In ‘Goodbye Solo’

    The latest film from director Ramin Bahrani is the powerful, deeply moving story of an unexpected friendship.

  • Foreign Objects: Revanche (Austria)

    Foreign Objects travels the world of international cinema each week to look for films worth visiting. So renew your passport, get your shots, and brush up on the local age of legal consent, this week we’re heading to… Austria!

  • Review: Bomber

    Ross (Shane Taylor) wakes up early one day to see his parents off on their road trip through Europe. Alistair (Benjamin Whitrow) and Valerie (Eileen Nicholas) are heading to Germany for some unknown reason, but when the trip faces cancellation, Ross agrees to chauffeur his parents through Europe.

  • Review: Lesbian Vampire Killers

    Three words that should bring a smile to the face of even the saddest person. But despite having the best title ever, can Lesbian Vampire Killers really live up to its promises?

  • Review: Sin Nombre Will Knock the Wind Out of You

    Sayra (Paulina Gaitan) is a teenage girl reuniting with her father to join him on a trek from Honduras to a dream life in the United States. Willy (Edgar Flores) is a member of Mara Salvatrucha, a ruthless Mexico City gang trying to escape.

  • SXSW Review: The Hurt Locker

    In a very real sense, this movie is the first of its kind. The first boots-on-the-ground Iraq War film. It immediately places the audience in the dusty streets of Baghdad and refuses to let anyone leave until the end.

  • Review: ‘Knowing’ is Worth Seeing, Bad Title and All

    Alex Proyas’ first feature since 2004 is an entertaining work of science fiction that occasionally lunges towards greatness.

  • Review: ‘I Love You, Man’ Explores New Comic Territory

    Make no mistake. I Love You, Man is a romantic comedy. It’s just a platonic one.

  • Review: The Horseman

    Does penis violence make you queasy? And I don’t mean violence committed by penises, but violence committed against them. Punches, drill bits spinning Candiru-style up the urethra, or tri-hooked fishing lures pierced through a guy’s dongle then yanked… if so, then you just may want to skip the new Australian film, The Horseman.