‘Persona’ isn’t just a masterpiece. It’s a psychological breakthrough.
“I start with a question as a storyteller and filmmaker, how should this story tell itself?”
The sequel continues its presentation of a gruff, badass Santa Claus in the form of Kurt Russell, and we require his forceful feeding of good cheer more this holiday than ever.
With this prototypical film noir, Fritz Lang crafts a universe in which telling the difference between good and evil is no easy feat.
A little bit funny, a little bit bloody, this isn’t your daddy’s Christmas movie.
Anyone have a quarter?
Charles Bronson picks melons and kicks ass in his other movie from 1974.
What’s black and white and full of subgenres?