If the enigmatic and energetic opening of Taika Waititi’s latest comedy Boy says anything to its audience, it is that we’re in for some imaginative…
No one is doing real journalism anymore. This is something that as a movie blogger, I’m told all the time. Many folks in my industry…
I’ve already heard several folks here in Park City draw lines between John Wells’ recession drama The Company Men and Jason Reitman’s Up in the…
To say that I’ve been a fan of the work of reclusive British street artist Banksy would be a bit of an overstatement. I’ve been…
Every year at Sundance, I seem to find that one movie that I just can’t place. It is neither great, nor awful. It is filled…
One of the great accomplishments of the Sundance Film Festival has been its traditional championing of movies that take guts to make, that come replete…
Now that your dreams of buying MGM are over, it’s time to set your sights on a different profession – but you don’t want to…
No offense to the Omaha Confederated Teachers and Plumbers Guild of Amateur Film Critics, but I have a feeling that their choice of Paul Blart:…
Long have I been a fan of awkward comedy. Or more specifically, comedy that thrives on situations where two characters quite simply don’t belong together.…