It seems Maika Monroe is being followed once again. Or is she?
It may not work as social commentary horror, but Mimi Cave’s feature debut is still an over-the-top delight for anyone willing to roll with its surprisingly dark punches.
The lackluster first feature from the ‘Carol’ screenwriter follows the story of an underground abortion clinic in 1960s Chicago.
Most of you are going to hate this movie.
Cooper Raiff delivers another winner with his thematic follow-up to 2020’s ‘Shithouse.’
Tim Roth delivers a complex, superb performance in the latest from writer-director Michel Franco.
Jesse Eisenberg’s feature directorial debut is an exhausting bout between mother and son, sold by Julianne Moore and Finn Wolfhard’s captivating anti-chemistry.
Kogonada’s sophomore feature is a relentlessly pristine experience, but one that is ultimately warm and throbbing with life.
Her early years in Hollywood are filled with high notes, and we’re ready for more.