Author: Meg Shields

Sometimes getting lost in translation is a good thing.

Check out a rapid-fire video essay that unpacks a handful of information, including how to control a shot list and how to shoot without a location visit.

We scream, you scream, we all scream when it comes to Italian horror.

The man, the myth, the legend.

*THX crescendo*

There’s a sloppy seconds joke in here somewhere

From deeply detailed worlds to imaginative gaps, here’s a video that looks at how filmmakers construct different kinds of narrative depth.

Turns out the scariest thing isn’t just the upkeep.

“I’m like a doll, aren’t you? I’m a doll.”