Author: Kate Erbland

In a word – no. Over the weekend, the Toronto International Film Festival wrapped up and, like the end of all good things, the festival…

Despite a similar project hitting screens before it could even go in front of cameras, Jake Scott’s Jeff Buckley biopic, Mystery White Boy, sounded like…

Straight out of the gate, let it be reiterated that no one on the Film School Rejects staff is into talking, texting, cartwheeling, or snoozing…

Well, good luck watching this first trailer for Jonathan Lisecki’s Gayby without smiling and laughing like a nut, because damn if this isn’t two minutes…

Blanket statement: let’s stop associating with feral children. It really hasn’t worked out too well, you know? Cinematically speaking, we have Nell from Nell (heartbreaking),…

“I’m pretty egotistical and proud of this movie.” We look at what we can learn from Paul Thomas Anderson and his commentary track for Boogie Nights.

Editor’s note: With Arbitrage hitting theaters this week, here is a re-run (totally free! no financial risks to you!) of our Sundance review, originally posted…

So many post-apocalyptic films hinge on their respective apocalypses actually, well, apocalypting, so a new script from Zombieland scribes Rhett Reese and Paul Wernick sounds…

The great post-conversion war rages on, and even Guillermo del Toro and his already-epic-sounding Pacific Rim can’t win a decisive battle. Despite telling crowds at…