by Sam Fragoso IFC Films Editor’s note: Our review of Clouds of Sils Maria originally ran during TIFF 2014, but we’re re-posting it now as the…
by Lauren Schacher Roadside Attractions Over the past week, we’ve been Chicks Who Script chimes in on a director who launched a superstar. I will never…
by Fergus Morton Fox Searchlight Pictures To preface, I’ve seen 500 Days of Summer maybe five or six times now and love everything about it. However,…
by Sam Fragoso Paramount Pictures If we were to list some of the most horrific cultural tragedies of the 20th and 21st century, the paucity of…
by Tom Clift GKIDS When you think of the films produced by Studio Ghibli, certain images inevitably spring to mind. A cat bus bounding across the…
by Sam Fragoso Tribeca Film After two critically adored novels, success has hardened Philip’s heart and calcified any remaining slivers of decency that may have once…
by Sergey Kuznetsov The Diamond Arm/Mosfilm Nobody loves Russian movies, even Russians themselves. Their films are very long, very slow, black & white or monochromatic.…
by Sean Hutchinson Warner Bros. In its 2009 review of writer Thomas Pynchon’s “Inherent Vice,” Rolling Stone said that it was “the funniest book Pynchon…
by Sam Fragoso Relativity Media For 114-minutes Hector and the Search for Happiness walks the tightrope between nausea and uplift. A movie whose logline is “a…