Author: Brad Gullickson

The cartoon has the best chance yet for bringing new fans into the franchise.

We chat with director Brett Harvey about how he shaped Trejo’s larger-than-life persona into a message of hope.

Just as ‘The Clone Wars’ achieved excellence, the show was over. Ah, but the quality shall continue elsewhere.

Netflix’s latest comic book adaptation is a gothic romance yearning to tell its definitive story in the sequel that may or may not ever come.

We imagine an adaptation of the new Tom Scioli graphic novel that rights decades of creative and financial mistreatment.

Joseph Barbera and William Hanna challenged Walt Disney and Warner Bros. with the help of a hateful cat and a terrified mouse.

Marvel Comics now has the rights to the deathmatch, but can they live up to what Dark Horse Comics already produced?

We chat with first-time director Gavin Rothery about transitioning from a conceptual artist on ‘Moon’ to behind the camera on the similarily themed ‘Archive.’

With the release of Netflix’s latest comic book adaptation The Old Guard, we suggest a few other graphic storylines to pursue while itching for that sequel.