NYFF

NYFF: ‘The Princess Bride’ Reunion Screening Gleefully Transforms Lincoln Center Into a Grindhouse Theater Photo by Godlis, courtesy of Film Society of Lincoln Center Commemorating the…

NYFF: Alain Resnais’ ‘You Ain’t Seen Nothing Yet’ Offers A Bevy of French Talent But Remains at a Surface Level Alain Resnais’ You Ain’t Seen Nothing…

Fill the Void begins with the greatest Purim sequence in the history of cinema. To be sure, there isn’t much competition. For Your Consideration and…

NYFF: Is ‘Passion’ Poised to Eclipse The Camp Classic ‘Showgirls’? Brian De Palma’s Passion, as alluded to in this review, teeters on a level of…

Dogs are thought to be man’s best friend, at their owners’ sides in sickness and in health. But can people be selfless enough to return…

Frances Ha is a Noah Baumbach film without bitterness. This is perhaps unexpected, given the man’s track record. Greenberg is practically an essay on acerbity,…

Good camp films know what they are doing. They manipulate the audience into feeling exaggerated sorts of emotion and possess a sort of bravura that…

NYFF: ‘Life of Pi’ is Near-Perfect Director Ang Lee was given a reported $100 million to make this trippy, gut-wrenching, and moving picture. An adaptation…

Paolo and Vittorio Taviani went to Rebibbia Prison to cry. Years ago, the pair took a trip to an all-inmate performance of selections from Dante’s…