Interview
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Haley Joel Osment on Building Chemistry Through the Intimacy of Long Car Rides in ‘Almost Friends’
Haley Joel Osment discusses the challenges of making an impact with only a handful of scenes.
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Why Virgil Williams Changed the Ending to ‘Mudbound’
How Virgil Williams and Dee Rees made a novel into their own Oscar-worthy meditation on race in America.
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‘Tragedy Girls’ Director Tyler MacIntyre Knows All Queens Slay
We chat with writer and director Tyler MacIntyre about high school chemistry, exploding heads, and why a female-driven high school slasher is so important.
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The Radical Humanity of Rachel Morrison and ‘Mudbound’
From ‘Fruitvale Station’ to ‘Mudbound,’ Morrison has found her place as one of the most humanistic storytellers in her field.
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How Chris Peckover Is Killing It Without Smashing You in the Face
We chat with writer and director Chris Peckover about hammers to the face, subverting archetypes, and evolving our approach to messaging.
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Interview: The Star and Director of ‘Brawl in Cell Block 99’
Vince Vaughn and S. Craig Zahler descend into the mouth of madness for their prison brawl nightmare.
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Fantastic Fest: Udo Kier Teaches Us How to Properly Scream
In Brawl in Cell Block 99, Udo Kier prides himself on being the turning point for madness.
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A Conversation with Leonardo Nam: Actor, Advocate, Ambassador
The ‘Westworld’ and ‘Tokyo Drift’ actor talks about his experiences advocating for Asian inclusion in Hollywood.
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Fantastic Fest: Talking Misery and pleasure with the stars of ‘Gerald’s Game’
Two actors find the energy and the emotional truth in the room.