We chat with the cinematographer behind John Cameron Mitchell’s latest phantasmagorical punk rock fable.
The filmmaker behind ‘American Animals’ and ‘The Imposter’ talks motivation, suffering artists, and the advantages of telling true stories.
John Cameron Mitchell’s newest movie turns a Neil Gaiman short story into a vivacious cannibal punk extravaganza. He says it’s a metaphor for Brexit.
Even in person, filmmaker Gaspar Noé never fails to shock and surprise.
The indie horror director’s biomechanical, Cronenbergian sexterpiece is really a love story.
We chat with the filmmaker about his obsession with despair and the inspiration that drives him behind the camera.
The German New Wave icon discusses her exploration of Swedish master Ingmar Bergman.
What do you do when your dreams come true and nothing changes? Keep hustling, ‘Something Else’ is always lurking.
We chat with the actor about tackling treasured genres, and just what Tim from ‘Spaced’ would think of his joyously geeky filmography.