Author: Robert Levin

  • Review: Agora

    It’s possible to admire the grand, sweeping ambitions poured into the production of Agora without having much use for the movie itself. Alejandro Amenábar delves…

  • Review: Shrek Forever After

    The weary Shrek franchise is such a relic that it took all the way until this third sequel for it to employ 3-D. In today’s…

  • Review: Daddy Longlegs

    If you get away from the tourist hotspots and luxury apartment buildings populated by the elite you’ll find that New York City is filled with…

  • Review: Letters to Juliet

    The Joe Cocker song “Up Where We Belong” – not to mention thousands of other love ballads, sonnets and poems – says the same essential…

  • Tribeca Review: Zonad

    Zonad adopts an amusing, albeit thin, high-concept, string it along with energy and has the good sense to cease operations at the 70-minute mark. It’s…

  • Tribeca Review: Freakonomics

    The much anticipated omnibus adaptation of the New York Times bestseller Freakonomics serves its basic function well. Four short documentaries – connected by transitional segments…

  • Tribeca Review: Rush: Beyond the Lighted Stage

    There’s no greater anomaly in popular music than the Canadian power trio Rush. Members Geddy Lee, Alex Lifeson and Neil Peart have reached the height…

  • Tribeca Review: The Killer Inside Me

    In The Killer Inside Me, director Michael Winterbottom aims to create onscreen the rich, pulpy small-town ’50s southern atmosphere made famous by authors like Jim…

  • Tribeca Review: Get Low

    Get Low centers on death, regret and personal reparations, in a story set against the backdrop of the Depression-era South. Yet out of that miserable…