Remembering the genuine creative risks of DreamWorks’ early repertoire, and the heat death of traditional animation.
In praise of monochrome: why black-and-white remasters aren’t just a gimmick, and what they can teach us about visual storytelling.
Each one greater and more terrible than the last.
“You don’t have to have a true story to make a true story movie.”
Containing multitudes is a time-honored cinematic tradition.
Should all adaptations of classic works be faithful?
A cinematic guide to confronting postgrad malaise.
According to the movies, death looks a whole lot like the DMV.
The way to a sci-fi’s heart is through its stomach.