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Author: Meg Shields
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How ‘The Wolf House’ Uses Fantasy to Confront the Horrors of History
Warren Zevon be like “awoooo wolf houses of historical trauma.”
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From A to Zoetrope: A Look at the Ancestors of Cinema
Before the moving image, there was … the slightly slower moving image.
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From Painted Glass to Green Screens: The Jeopardy Shot Explained
Let’s talk about the glass shot. (No, not the kind you pour tequila into).
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The Cinematic Ingredients of ‘Licorice Pizza’
More like West San Fernando Valley Graffiti.
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A Tangerine Dream: Colors in the Films of Sean Baker
Pretty cool when they make movies in color, huh?
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Coffee and Arepas: How Food Defined the Oscar Movies of 2022
Okay, but why do the ‘Nightmare Alley’ eggs look so darn good?
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Bigger Isn’t Always Better: An Introduction to Movie Camera Sensor Size
Put on your “tech-talk” pants, it’s time to talk sensor size.
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Emotional Sense, TV Reflexivity, and Divining Sense Out of ‘Twin Peaks’
The owls are not what they seem.