The director and screenwriters of Netflix’s latest original feature open up about their lurid and unpredictable thriller.
Before he was Neo or John Wick, Keanu Reeves played against type in everyone’s favorite movie about bank-robbing surfers.
By using the language of the American horror film to explore notions of northern modernity, Cronenberg left his mark on Canadian national cinema.
With ‘Fast Color,’ Julia Hart encourages women everywhere to create a better world from the broken remains of this one.
We looked back at the reviews of the 2011 ‘Game of Thrones’ pilot and explore some of the common questions the show has – and hasn’t – answered.
‘Feral,’ which debuted at 2019’s Sarasota Film Festival, offers an empathetic take of life on the streets of New York City.
The ending to Jordan Peele’s latest horror film is bold, ambitious, and a little tricky to understand. That’s where we come in.
As a Kevin Costner vehicle, ‘The Highwaymen’ has its moments, but the mix of revisionist law enforcement history and crippling self-doubt make it an unpleasant experience with any audience.
‘Long Shot’ may contain some of the year’s best jokes but the awkward mix of hangouts and politics ultimately proves too much for the Seth Rogen vehicle.