The marketing was wrong. While the buzz has been on Gary Ross’s cinematic adaptation of Suzanne Collins’ wildly popular book series, The Hunger Games, since…
We open with a gasp. Amy Seimetz’s feature directorial debut, Sun Don’t Shine, kicks off with its lead actress (Kate Lyn Sheil) fighting for breath…
Set in the Sequoia National Forest during a last-ditch attempt at romance-saving by way of camping trip, Adele Romanski’s Leave Me Like You Found Me…
The skin-crawling world of Small Apartments is presented without irony or judgment – so it’s not surprising that, in such an off-kilter environment, Matt Lucas’…
Billed as “a deadpan fable about time sneaking up on and swerving right around us” by the SXSW programmers, Bob Byington’s Somebody Up There Likes…
In which a review begs to open with a deep-seeming quote about memory – its price, its collapse, its malleability, its importance, something about Mark…
Jay Chandrasekhar’s twist on the bank heist film, The Babymakers, takes a somewhat clever and fun premise and buries it under muffled performances, piles of…
As a romantic subgenre, the alcoholic love story doesn’t typically hit upon anything fantastically new or groundbreaking – drink, fight, cry, love, repeat until something…
The Kids Aren’t Alright in Exclusive Clip from ‘Detachment’ Director Tony Kaye (American History X) returns to American cinema with his Detachment, a new film…