Filmmaker.
By Meg Shields
A way to a young man’s self-destructive rage is through his stomach.
By Farah Cheded
From Cannes, Farah Cheded reviews Martin Scorsese’s latest.
By Meg Shields
Femme Fatales, post-war disorientation, and voice-over? Huh. Maybe ‘Taxi Driver’ is a noir film.
By Meg Shields
Turns out it takes a village to make a Martin Scorsese debut feature. Or at least one Haig Manoogian.
By Meg Shields
The son, the father, and the holy GOAT.