The Thorny Sexistentialism of ‘Palm Springs’ and ’50 First Dates’
We examine how these two time-loop comedies deal with sex, free will, and the multiverse theory.
Brianna Zigler(Contributor)
‘Alone Together’ is a Heartfelt Look at Fan Community Amidst COVID
This Charli XCX documentary is less about the coronavirus pandemic than it is about community and connection.
In ‘Violet’ That Voice Inside Your Head is a Main Character
A distinctive style and a strong lead performance still leave something to be desired.
‘Ma Belle, My Beauty’ Conventionally Depicts an Unconventional Romance
Marion Hill's serene debut feature is an enjoyable yet predictable film about a polyamorous relationship.
Are We Human, or Are We Pop Star?
Through the mockumentary 'Popstar: Never Stop Never Stopping' and the documentary 'Miss Americana,' the limits of humanizing the pop star persona are tested.
‘Pleasure’ is an Unglamorous Look at Breaking Into the Porn Industry
Ninja Thyberg's expansion of her 2013 short film gives care to an affectingly blunt portrayal of a porn actress.
‘The Sparks Brothers’ is an Engrossing Celebration of Unsung Music Icons
Edgar Wright's documentary debut is as dynamic as his comedies, offering an affecting look at the long-spanning career of your new favorite band.
‘How It Ends’ is a Warm, if Overly Cutesy, Apocalypse Comedy
From Sundance 2021, we review Zoe Lister-Jones and husband Daryl Wein's quirky comedy about the end of the world.
Confident Debut ‘On the Count of Three’ is a Flawed, Bittersweet Bromance
Comedian Jerrod Carmichael's existential feature debut is carried by his strong direction and its infectious character chemistry.
Tim and Eric’s Billion Dollar Consumerist Hellscape
In the alt-comedy duo's foray into the world of feature filmmaking, the absurdity of American capitalism is a deadly part of our reality.
