Filmmaker.
By Farah Cheded
From Cannes, Farah Cheded reviews Martin Scorsese’s latest.
By Meg Shields
Femme Fatales, post-war disorientation, and voice-over? Huh. Maybe ‘Taxi Driver’ is a noir film.
By Meg Shields
Turns out it takes a village to make a Martin Scorsese debut feature. Or at least one Haig Manoogian.
By Meg Shields
The son, the father, and the holy GOAT.
By Meg Shields
The pandemic has intensified concerns that streaming poses a threat to the cinematic experience. Here’s a video essay explaining why.
By Anna Swanson
If you’re a fan of Martin Scorsese’s Las Vegas mob epic, you need to have these nine films on your watchlist.