Martin Scorsese

A World Without Turner Classic Movies

By  Emily Kubincanek 

If TCM doesn’t last under David Zaslav, we lose much more than just a television channel.

Let’s Talk About Travis Bickle’s Bread and Brandy Cereal

By  Meg Shields 

A way to a young man’s self-destructive rage is through his stomach.

With ‘Killers of the Flower Moon’, Martin Scorsese Innovates to Extraordinarily Moving Effect (Cannes Review)

By  Farah Cheded 

From Cannes, Farah Cheded reviews Martin Scorsese’s latest.

From Bava to Bresson: The Films That Inspired ‘Taxi Driver’

By  Meg Shields 

Femme Fatales, post-war disorientation, and voice-over? Huh. Maybe ‘Taxi Driver’ is a noir film.

The Story of How Scorsese’s First Movie Saw The Light of Day

By  Meg Shields 

Turns out it takes a village to make a Martin Scorsese debut feature. Or at least one Haig Manoogian.

From Sinful to Sacred: Religious Themes in the Films of Martin Scorsese

By  Meg Shields 

The son, the father, and the holy GOAT.

‘After Hours’ in the Afterlife: The Case for Paul Hackett’s Hell

By  Brianna Zigler 

In Martin Scorsese’s 1985 black comedy, a man’s desperate quest to get home after a night gone wrong is actually his eternal damnation.

Martin Scorsese Just Wants to Hang Out with His Friends

By  Will DiGravio 

His recent work is full of small moments that remind us to keep our friends close and to hang out with them whenever possible.

Where Does “Cinema” Happen in the Age of Streaming?

By  Meg Shields 

The pandemic has intensified concerns that streaming poses a threat to the cinematic experience. Here’s a video essay explaining why.