The Cycles of Violence That Haunt Nia DaCosta’s ‘Candyman’

By Mary Beth McAndrews 

Candyman is more than a hook and a swarm of bees.

Danse Macabre: How ‘The Red Shoes’ Introduced Ballet to Horror Cinema

By Meg Shields 

Anyone else hear toes cracking or is it just us?

‘Shang-Chi and the Legend of the Ten Rings’ is Good, Actually

By Rob Hunter 

A fun flick with fantastic action and a franchise-best cameo? Yup.

‘Free Guy’ Continues to Have the High Score at the Box Office

By Christopher Campbell 

‘Paw Patrol’ is on a roll, but other new movies were largely ignored.

‘The Other Two’ is a Can’t-Miss Satire of Celebrity

By Valerie Ettenhofer 

In its second season, the under-watched but excellent satire makes the jump from Comedy Central to HBO Max and is even better there.

‘The Sadness’ is Guaranteed to Leave Fans of Extreme Horror Smiling

By Rob Hunter 

You’re probably not prepared for this one, but you’ll want to dive in head first all the same.

What to Expect from Amazon’s ‘Cinderella’

By Aurora Amidon 

This isn’t your classic fairytale.

‘Reminiscence’ is a Dull Reminder of Other, Better Films

By Rob Hunter 

But seriously, when are we getting a 4K release of ‘Strange Days’ anyway?

The Invisible Performers Who Craft ‘Ted Lasso’

By Brad Gullickson 

We chat with editors A.J. Catoline and Melissa McCoy and casting director Theo Park about the myriad of unseen choices they make that help shape the vibe of the series.

Sasha Lane Takes the Wheel of Her Budding Career

By Sheryl Oh 

The ‘American Honey’ star stays on the road to success, making moves to thrive in indie and mainstream spaces alike.

The So-Bad-It’s-Good Editing of ‘I’m Thinking of Ending Things’

By Anna Swanson 

Rules are made to be broken.

What to Expect from Wes Anderson’s ‘The French Dispatch’

By Aurora Amidon 

Grab your beret and your harpsichord: a new Wes Anderson film is hitting the theaters.