The Queue is an oft-recurring column in which Meg Shields provides you with a distraction of curated video content sourced from across the web.
If you’re new to The Queue, start here:
By Meg Shields
‘The French Dispatch’ is all about having fun with art even when the subject matter is serious. Naturally, the film itself is a stylistic smorgasbord.
By Meg Shields
Is this the real life? Is this just fantasy? When it comes to Satoshi Kon’s ‘Paprika’ the answer is an enthusiastic yes.
By Meg Shields
Sergio Leone put the Western genre under a microscope. Or at the very least, a macro lens.
By Meg Shields
Dedicated hardware or everything “in a box”? Here’s a look at why this age-old debate is about more than “what sounds better.”
By Meg Shields
4K should be a practical and artistic choice … not a requirement.
By Meg Shields
From special effects to montage, to pure, unbridled style, here’s a brief introduction to the many uses of the jump cut.
By Meg Shields
We often think about what pre-existing music tells us about films, but what do films tell us about pre-existing music?
By Meg Shields
“I’ve gone back to my first love: painting.”